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„Laura Makabresku condenses the fairy tale into a frame. One stage on which everything plays out. There is a heroine existing between the worlds. Beautiful and dark. Her sexuality fluctuates between girlish erotic fantasy and the extreme instincts of nature. In a childish way she is fascinated by death. Her land is inhabited by animals, monsters, people in animal masks, objects—all of them of equal status. The world’s orders tangle together. Death in this land is liberating, a kind of good dream into which we tumble, searching for eternity, and which exists within us as constellations painted on the heroine’s body. The motifs and scenes are repeated. Themes are repeated obsessively. It all exists outside of time, everywhere and nowhere, never and always, in the seventy-seventh land. And eternity is just as cruel as death." – Magdalena Kownacka