dienacht Publishing proudly presents: Paweł Jaszczuk’s ‘Kinky City’!
Tokyo nights are full of toys. Dolls, costumes, threads and needles, masks, fancy dress and many more. Naturally, it isn’t kids’ stuff, but toys for the grown-ups. Paweł Jaszczuk watched them play. This needs some determination, of course. For about three years, from 2007 to 2010, he routinely grabbed his bike after returning from his day jobs and dived into the metropolis’s nightlife, looking for Tokyo’s swinger clubs and happening bars, its couple kissas and private sex-parties. He won over their hosts and owners, sat at bars and in booths, listened to at times questionable music and convinced the guests to be pictured by him while living their fantasies. He deliberately took the part of the voyeur, which is an integral element of the role play in place anyway – though usually without a camera.
In his photographs one encounters a round of tradition and pop, pain and desire, sex and taboo, intimacy and anonymity. Jaszczuk used an extremely light sensitive film with his Leica, which leaves only few things in the dark. The bluntness of the images, the physicality in the games of dominance and submission, and the array of fetish paraphernalia – uniforms from French maid to SS – make for a somewhat disturbing experience. Moments of dizzy rush, captured in close ups, alternate with scenes depicted from a rather distant perspective of a curios beholder. Frenzy takes turns with the prosaic. The night presents itself as the heady opposite of the daily grind, though at the same time the practiced fantasies – however kinky they are – are marked by a set of recurring roles, motives and traditions. Eventually daybreak means a change of attire for the revelers: from latex and uniform to suite and business costume, which cover up the bruises of the past hours.
This book is co-published by dienacht Publishing and the Leica Gallery Vienna, on the occasion of the exhibition PAWEŁ JASZCZUK / KINKY CITY, Leica Gallery Vienna (4 June to 12 September 2015, in cooperation with Leica Gallery Warsaw, curated by Rafał Łochowski).
‘naked’ book in a relief silkscreened slipcase made of raw cardboard
10,5 x 15 cm, 120 pages
open thread stitching
Edition of 400 copies, designed by FLUUT
dienacht #17 is back (5 different Covers – same content!)!
This issue turned out to become a small extract of the “Condition humaine”, in all it’s tenderness and abysses. And since the magazine’s cover is a kind of preview of what is to be expected inside, I have decided to chose no less than five different title pictures. After all, the “Condition humaine” is a mess, not only on the personal level.
Some of the photographers form this issue: Arne Svenson controversial series “The Neighbors”, Léonard Pongo showing a selection from “The Uncanny”, Sofia Bucci’s personal and intimate series “The Taste of Leaves”, Stacy Kranitz’ anarchistic “Study on Post-Pubescent Manhood”, Gert Jochem’s observation of sexuality in Flanders, and many more incredible photographers and photobook reviews.
1000 copies, numbered
128 pages, 15 x 18 cm
offset print, in English and German
PLEASE NOTE: you will receive ONE copy with a random cover
野生 is a large format collection of unbound posters (book size: posters folded to 28 x 40 cm, open size 56 x 40 cm) printed on strong paper, held together by a banderole. The double pages confront vertical formats with half of horizontal formats, vertical confront vertical, or half of horizontal confront another half or horizontal formats, recontextualizing Ren Hang’s work.It is Ren Hang’s biggest and heaviest book up to now.
Every single spread can be taked out, seen as a whole and used as full size poster or print.
The book is co-published with OstLicht Gallery in Vienna, and printed in an edition of 600 copies (500 trade copies and 100 AP).
野生 is published in conjunction with the exhibition REN HANG / 野生 at OstLicht Gallery, Vienna, from March 19 to June 19, 2015, curated by Raphaele Godin and Rebekka Reuter.
60 photos on 96 pages, folded to 28 x 40 cm (open spread: 56 x 40 cm)
unbound, held by a banderole
Print run: 600 copies (500 trade copies and 100 AP)
So, here we are again. dienacht is not just a portfolio magazine, but also a personal project. That’s why some personal circumstances lead to the fact that this issue is released much later as it should have been – but now it’s here, on the last days of the year 2014!
We have, once again, outstanding photographers and artists, like Birgit Krause and her out-of-this-world-series “Plánětes”, Jean-Marc Caimi showing a selection from “Daily Bread”, Zhe Chen and her painfully intimate diary “The Bearable”, the funny childhood memories translated into photography by Vendula Knopová, Magdalena Sawicka’s raw but precise illustrations, Elena Montemurro’s “Coming of Age” (which is also this issue’s cover story) and many more incredible photographers and photobook reviews.
All 7 – timeless – available issues: dienacht #8, 11, 12, 13, 14, 15 and 16.
Over 800 pages of intriguing photography, graphic-design, illustration, art and stories, photo book reviews, and so much more.
All 7 available issues: dienacht #8, 11, 12, 13, 14, 15 and 16.
Over 800 pages
40 Euro (instead of 47 Euro regular price)
dienacht Publishing proudly presents Dana Stölzgen’s superlimited (45 copies + 5 copies with a print) and oversized book “My Disguise”!
and through my disguise
someone is looking at me.” – Dana Stölzgen
A Special Edition with a very limited, beautiful 30 x 45 cm Print on Hahnemühle Photo Rag, 308 g/m² is available. Edition of 5, signed and numbered.
Size: A3 (29,7 x 42 cm), 16 pages
Printed on Metapaper 270g/m² Extrarough Warmwhite
Half cover, thread stitching
Print run: 45 copies + 5 Special Editions with a 30 x 45 cm Print on Hahnemühle Photo Rag 308 g/m², signed and numbered
Limited Print Editions available:
28 € The printed book 60 € The printed book + a 13 x 18 cm C-Print (edition of 25, signed and numbered), as seen at the end of the preview. 120 € The printed book + a 20 x 30 cm signed and numbered print (edition of 10) on Hahnemühle Photo Rag, 308 g/m², as seen at the end of the preview. 350 € The printed book + a 30 x 45 cm signed and numbered print (edition of 3), printed on Hahnemühle Photo Rag, 308 g/m², as seen at the end of the preview.
Hard cover, open thread stitching
15 x 20 cm, 96 pages
Print run: 200 numbered copies
Feeling offcast. Flecks of ash fill the air. Slowly, they lie down to my feet. Somewhere inside there is something that destroys, it attracts those indifferent and closed. Others. Those unable to coexist, emotionally impenetrable. The same as me. Deep inside there is the void where light disappears.
The regular edition is sold out. A few copies of the Special Edition with Print are still available (for a preview of the print, please check the last image of the slideshow).
Hard cover, open thread stitching, laser engraving on the cover, 11 x 15,5 cm, 52 pages including 4 fold-out pages, full colour, print run: 90 copies + 10 Special Edition with Print, signed and numbered
Print Editions (book + print) left:
If the paper of the first edition made the book look a coal mine, the paper of this second edition makes it look like a desert storm.
“And where is it, this place?”
“That’s the point, it is nowhere. It is quite impossible to say that it is located anywhere in the geographical sense. Inner Mongolia is not called that because it is inside Mongolia. It is inside anyone who can see the void, although the word ‘inside’ is quite inappropriate here. And it is not really any kind of Mongolia either, that’s merely a way of speaking. The most stupid thing possible would be to attempt to describe to you what it is. Take my word for this, at least – it is well worth striving all your life to reach it. And nothing in life is better than being there.”
“And how does one come to see the void?”
“Look into yourself.” said the baron.
(From “Chapayev and Void” by Victor Pelevin, translated by Andrew Bromfield)
Edition of 90 numbered copies + 10 copies with a gelatin silver print (numbered and signed)
21 x 29.7 cm, 32 pages, printed on grey paper
Silkscreen printed envelope
Designed by FLUUT
Erotic fairs are probably the only events where all social classes and ages are gathered in the same place.
The visitors – exactly from the hick town where all the pictures were shot – brim over with bigotry. Because on one hand there is the hypocritical tolerance and openness at night, the meat market – and the gazes! – under the cover of eroticism. On the other hand the smooth smugness reveals in the daytime – lived family idyll and dominical church going included.
It is all about schizo provincialism. The abandon and unleashing of the bourgeois which seem enormous at first, in closer inspection keeps exactly within the defined limits. Because in this loud, piercing, adrenalized carnival of drives, the excess is planned. Like that everything is in best order. In the garden plot, on the parking lane, in the frontyard – and in fact also on the erotic fair.
Limited Print Editions available! 35 €: The printed book 60 €: The printed book + a 13 x 18 C-Print (edition of 60, signed and numbered), as seen in the preview. 150 € (4 left): The printed book + a 20 x 30 signed and numbered print on Hahnemühle Photo Rag, 308 g/m², as seen in the preview. 500 € (1 left): The printed book + a 30 x 45 cm print (edition of 3) + the 20 x 30 print, both numbered and signed, printed on Hahnemühle Photo Rag, 308 g/m², as seen at the end of the preview.
p.s. thank you to all supporters of the crowdfunding-campaign. You made this happen.
Loose spiro bound book in a hard cover, held by an elastic strap
90 pages, 16 x 28 cm
Print run: 100 copies
35 € + shipping
Five limited, signed prints by Chad Moore (“Anyone in love with you (already knows)“) now available! All five photographs are available as a limited edition of 5 copies each, size 28.67 x 43.18 cm (11.25 x 17 inches).
1. Alex (Bridge Bomb), 2010
2. Imogen (Roof Edge), 2011
3. Georgia (Bed, Eyes), 2013
4. Imogen (Red Balloon, Amsterdam), 2012
5. Sara and Imo (Rooftop), 2011
In case of purchase please indicate the photograph of your choice (№ 1 to № 5) in the comments field.
Printed on Fujicolor Crystal Archive Professional Super Type PD Luster
Image size: 26 x 40.64 cm, Paper size: 28.67 x 43.18 cm
Print run: 5 x 5 copies | signed
Five photographs to choose from
Now it’s official: We are happy to announce that “Nowhere” by Leon Kirchlechner (published by dienacht Publishing and Der Greif) has just been awarded with the German Photobook Prize in Silver (Deutscher Fotobuchpreis)!