dienacht Publishing proudly presents: ‘ANNA KONDA’ by Katarzyna Mazur!
In 2010, female fighters Anna Konda and Red Devil founded the Female Fight Club Berlin. This private and unique Club appeared as revival of female wrestling – tradition that dates back to Berlin of the Golden Twenties, when it was fairly popular.
Nowadays, competitions take place in a rented room located in Berlin – Marzahn. The club is open for women of all age and weight. The fights follow no official guidelines, have no standard categories and do not demand any fighting style. It is all about challenging one’s mind and the mind of an opponent.
Offset print, white and black on pale flesh coloured paper, held by an elastic strap
14,5 x 20 cm, 48 pages
blind embossing on the cover
Print run: 200 copies
dienacht #17 is back (5 different Covers – same content!)!
This issue turned out to become a small extract of the “Condition humaine”, in all it’s tenderness and abysses. And since the magazine’s cover is a kind of preview of what is to be expected inside, I have decided to chose no less than five different title pictures. After all, the “Condition humaine” is a mess, not only on the personal level.
Some of the photographers form this issue: Arne Svenson controversial series “The Neighbors”, Léonard Pongo showing a selection from “The Uncanny”, Sofia Bucci’s personal and intimate series “The Taste of Leaves”, Stacy Kranitz’ anarchistic “Study on Post-Pubescent Manhood”, Gert Jochem’s observation of sexuality in Flanders, and many more incredible photographers and photobook reviews.
1000 copies, numbered
128 pages, 15 x 18 cm
offset print, in English and German
PLEASE NOTE: you will receive ONE copy with a random cover
I met Nadia during the OBSCURA Festival of Photography in George Town, Malaysia. We didn’t had much time, but she showed me her book “[n]” and some time after I sent her a message saying that I’d like to order it.
Well, she didn’t sent just the book, but a whole package with books and zines made by Malaysian Photographers! Take a look, check their work, buy their books and zines.
All 7 – timeless – available issues: dienacht #8, 11, 12, 13, 14, 15 and 16.
Over 800 pages of intriguing photography, graphic-design, illustration, art and stories, photo book reviews, and so much more.
All 7 available issues: dienacht #8, 11, 12, 13, 14, 15 and 16.
Over 800 pages
40 Euro (instead of 47 Euro regular price)
Limited Print Editions available:
28 € The printed book 60 € The printed book + a 13 x 18 cm C-Print (edition of 25, signed and numbered), as seen at the end of the preview. 120 € The printed book + a 20 x 30 cm signed and numbered print (edition of 10) on Hahnemühle Photo Rag, 308 g/m², as seen at the end of the preview. 350 € The printed book + a 30 x 45 cm signed and numbered print (edition of 3), printed on Hahnemühle Photo Rag, 308 g/m², as seen at the end of the preview.
Hard cover, open thread stitching
15 x 20 cm, 96 pages
Print run: 200 numbered copies
If the paper of the first edition made the book look a coal mine, the paper of this second edition makes it look like a desert storm.
“And where is it, this place?”
“That’s the point, it is nowhere. It is quite impossible to say that it is located anywhere in the geographical sense. Inner Mongolia is not called that because it is inside Mongolia. It is inside anyone who can see the void, although the word ‘inside’ is quite inappropriate here. And it is not really any kind of Mongolia either, that’s merely a way of speaking. The most stupid thing possible would be to attempt to describe to you what it is. Take my word for this, at least – it is well worth striving all your life to reach it. And nothing in life is better than being there.”
“And how does one come to see the void?”
“Look into yourself.” said the baron.
(From “Chapayev and Void” by Victor Pelevin, translated by Andrew Bromfield)
Edition of 90 numbered copies + 10 copies with a gelatin silver print (numbered and signed)
21 x 29.7 cm, 32 pages, printed on grey paper
Silkscreen printed envelope
Designed by FLUUT
Erotic fairs are probably the only events where all social classes and ages are gathered in the same place.
The visitors – exactly from the hick town where all the pictures were shot – brim over with bigotry. Because on one hand there is the hypocritical tolerance and openness at night, the meat market – and the gazes! – under the cover of eroticism. On the other hand the smooth smugness reveals in the daytime – lived family idyll and dominical church going included.
It is all about schizo provincialism. The abandon and unleashing of the bourgeois which seem enormous at first, in closer inspection keeps exactly within the defined limits. Because in this loud, piercing, adrenalized carnival of drives, the excess is planned. Like that everything is in best order. In the garden plot, on the parking lane, in the frontyard – and in fact also on the erotic fair.
Limited Print Editions available! 35 €: The printed book 60 €: The printed book + a 13 x 18 C-Print (edition of 60, signed and numbered), as seen in the preview. 150 € (4 left): The printed book + a 20 x 30 signed and numbered print on Hahnemühle Photo Rag, 308 g/m², as seen in the preview. 500 € (1 left): The printed book + a 30 x 45 cm print (edition of 3) + the 20 x 30 print, both numbered and signed, printed on Hahnemühle Photo Rag, 308 g/m², as seen at the end of the preview.
p.s. thank you to all supporters of the crowdfunding-campaign. You made this happen.
Loose spiro bound book in a hard cover, held by an elastic strap
90 pages, 16 x 28 cm
Print run: 100 copies
35 € + shipping
Twisted Swan is a book of tensions. Clarity and visual pollution. Identity and concealment. Kindness and aggressiveness. An artificial lake, made at our image. There are repeated attempts to achieve results. Processes. Obsessions. Trifles. A certain desperation. Urgency to act. Urgency of living. Photographs of photographs. Generations of photographs. Images degrade. Lose the illusion. They disappoint. But gains a new body, with wrinkles and scars, an imposed time. The image becomes opaque. The perspective is a triangle. There is now only a smear of ink and traces of an abusive handling. A new silence.
It was a tough time, but the new issue of dienacht is almost there! Featuring, among others Sarah Sudhoff’s “At the Hour of our death” series, and more photography by Francesca Romeo, Tito Mouraz, Julia Sonntag, Aaron McElroy (one of the six photographers from the Nocturnes-book), Axel Beyer, Tatiana Tcherkezyan, a design Portfolio by David Einwaller, photo book reviews, …
Also, the dienacht Short Stories-section showcases again short portfolios by 12 photographers – we wanted you to see even more intriguing works and get more sources of inspiration. They are supposed to encourage the reader to learn more about the particular photographers and works, to visit their websites, to track their work process.
The successor to my first photo zine ‘Blinded By The Dark’, the continuation of the ‘underground music meets instant film’ theme. This time, the selected images are not the actual positives, but the carefully reclaimed paper negatives that come with peel-apart film.
150 x 185 mm (5.91 x 7.28 inches)
edition of 60
black & white digital print
Get it here.